For some things (feedback effects, pre sampled noise e.t.c) its useful to have sampler2d elements to pass in. This can drastically reduce computation where the same source texture is then manipulated after.

The following shader crashes the more-video module as seen by it reshowing the boot screen

I may have figured a way to export and populate a list of groove times from Ableton and Logic for a list to be programmed into Nerdseq from grooves in daws. It won’t be a small task but if anyone is interested please let me know. I do d a search on forum and last I found was 2019 so I thought jest to post new as best to not get lost. I hope that’s ok Thomas.

All my CV channels are outputting O.75v for f# for some reason. I have a multi-io, more video-io and a more cv plugged in. Its consistently wrong over all channels and all octaves. I assume some mapping file somewhere is wrong but I have no idea what I have done to cause it. I know its not calibration level (and its in a different case) but using my mordax data i got the following values across all octaves

Note | Note Num | Expected | Actual
c       | 0               | 0              | 0.01
c#     | 1               | 0.083       | 0.09
d       | 2               | 0.166       | 0.18
d#     | 3               | 0.25         | 0.26
e       | 4               | 0.333       | 0.36
f        | 5               | 0.416       | 0.47
f#      | 6               | 0.5           | 0.76
g       | 7               | 0.583       | 0.59
g#     | 8               | 0.666       | 0.67
a       | 9               | 0.75         | 0.75
a#     | 10             | 0.833       | 0.83
b       | 11             | 0.916       | 0.92

Hello,
my Nerdseq completely froze after I tried to open a subfolder with samples in the Sample Loader. I suspect this was because there were empty subfolders in the folder. Unfortunately, the ZIP file of the folder is too large to upload here, ZIP size 7,1MiB

Attached Files

Thumbnail(s)
   

Dualchord Local Trigger could not be triggered manually

Good day, when I set the trigger from Dualchord1 to Local Trigger, I cannot trigger it manually with OK when creating a new pattern to prelisten the line.

Steps to reproduce:
Track Assign:
Track2 NSA3: Dualchord

Dualchord Track Setup:
Note 1 Destination Out 1 Wave 1
Note 2 Destination Out 1 Wave 2
Note 3 Destination Out 1 Wave 3
Note 4 Destination Out 1 Wave 4
TRIG1 Destination Track Trigger
Note 5 Destination Out 2 Wave 5
Note 6 Destination Out 2 Wave 6
Note 7 Destination Out 2 Wave 7
Note 8 Destination Out 2 Wave 8
TRIG 2 Destination DC-TR Output 2

New pattern:
Dualchord1-1               Dualchord2-1
line 4  C-4  TRG30      C3 TRG30
line 8 B-3 TRG30        A-3 TRG30

Now when I press C-4 OK, DC-TR Output2 is triggered. I assume this is how it should be, as you want to trigger the entire line when you press it, but the local trigger is not triggered this way. So much for the first finding.

The second thing I noticed:
When I press B-3 with OK, only DC-TR Output2 is triggered again, but still with the previous note C-3. But when I press OK on line 8 C-4, I expect the entire line and its notes in this line to be updated, i.e. Dualchord2-1 A-3. However, in order for the note of Dualchord2-1 to be updated, you have to press OK on Dualchord2-1 note A-3. I find this a bit confusing, especially when creating different melodies on the two sides.

Thank you for your efforts

Hello, I would appreciate it if there were an option to transfer the colour when copying in the sequencer area. For example, when I'm building a project and colouring the patterns, I sometimes realise that I need a few extra lines in the middle, so I copy the Patterns below and move it down a few lines,  but then I have to move all the colours individually, which is a bit annoying to have to do manually.

There are now two good ways you could make this easier for us with an advanced feature.

1. Link colours to copy patterns instead of just rows and columns.

Or what I think would be the better way

2. A N3RD option Insert/delete a row at the position from which you call the N3RD menue. This command should then move all following patterns and colours down one row after Insert=row or up one row after Delete=row, so that an empty column is created.

Thank you for your efforts

Hi! How can I send a sequence from Marbles to Digitone?
I have one of the CV outputs connected to In1.
I have a MIDI track (T4) with an output to track 4 of the Digitone. 
I'd like the notes sent by Marbles to play through the Digitone, be able to record them to the MIDI track, and ideally also to the Digitone. 
Is this possible? I've been trying and thinking about how to do it for a while, but I haven't been able to figure it out.

For extra drama in live performance I like to sometimes stop all the Nerdseq patterns that are playing. I have 2 ways to do this, both of which are not that great:

* SHIFT + STOP to stop all, then SHIFT + START to restart a row. This can get out of sync with my other sequencers, which all share a clock.

* Create a 00 "mute pattern" (empty) and make a row full of 00. SHIFT+START on that row to silence at the end of pattern, SHIFT + START on a different row to restart. This keeps the clock in sync, but I can't stop in the middle of a pattern and I don't always want to restart a whole row. I may have had a random selection of patterns in different columns playing and I would love to restart the patterns that were previously running. 

Is there a "global mute/unmute" (best) or an "all stop" that stops all patterns but doesn't stop the clock running? Preferably easy to access with a front panel key combo?

As we've already discussed in a thread, changing random bpm values in a column is indeed possible, but you have to go about it in various ways using either a matrix, a track setup, via Automator or just manually, all of which work fine, but which are not so practical, in my humble opinion. 

Therefor, can I ask if it would be possible to simply include RN0 - RN.. in the BMP setting in the FX choices? This way you could set the BMP as BPM 064, then later BMP RN0 to get some random value, then later put back BPM 064 to bring it back to the original tempo. 

Simple and straight forward, what do you think? 

BTW, I'm having fun using all the options we discussed, but finally it's easiest to fake unstable changing BPM by simply using the FX column and adding odd BMP values throughout the sequence(s) such as: BPM 068 --> BPM 079 --> BMP 054 --> BPM 064 --> etc. All of these can be easily cancelled out on the next sequence or brought back to the original tempo all from one screen.